“Maybe you didn’t notice, but this is Snarky Puppy’s world, and the rest of us
only live in it.”—The New York Times
Snarky Puppy, the five times Grammy® winning collective, “has always been a band that prioritizes the sound of the music,” says bandleader and bassist Michael League. Displaying a wide array of influences including funk, rhythm & blues, hard rock, classic soul, modern gospel, new tech, fusion and jazz, Snarky Puppy isn’t exactly a jazz band, it’s not a fusion band and it’s definitely not a jam band. It’s probably best to take Nate Chinen of the New York Times’ advice, as stated in an online discussion about the group, to “take them for what they are, rather than judge them for what they’re not.”
“Our soundscape has expanded dramatically over the years” says League. “When the band started, we were jazzier, brainy and music oriented. Moving into the Dallas scene we became groovier, more emotional, deeper in a sense. We focused more on communicating a clear message, understandable to a listener without dumbing things down”.
In January 2025 the band collaborated once more with the Metropole Orkest– the Netherlands-based hybrid ensemble renowned for fusing jazz, classical, and popular music on a symphonic scale. Captured live over three nights (January 17–19, 2025) in Utrecht, the project reunites the two groups a decade after their first joint effort, Sylva — an orchestral suite released in 2015 that earned the GRAMMY for Best Contemporary Instrumental Album the following year. The result of this collaboration - Somni - was released in November 2025 via GroundUP Music.
“It’s by far the most ambitious project we’ve ever done … and it was one of the smoothest records we’ve ever made,” he says. “Every individual team just absolutely did their job with so much care and love — from the camera operators to our production team.” That spirit was reflected in the room. “The instant feedback was the warmest we’ve ever had. It was encouraging to know that after 22 years of doing what we do, the music is reaching people.”
Always evolving in its musical output, each new record brings a new vision and progressive direction, “Our rule is that it can’t sound like it sounded before” comments League, he continues, “the music has to feel like it’s moving somewhere”
This also raises the question – where will Snarky Puppy go next? For Snarky Puppy fans, the answer to this is a very exciting prospect.
Artists
Snarky Puppy
After over a decade of relentless touring and recording in all but complete obscurity, the Texas-bred quasi-collective suddenly found itself held up by the press and public as one of the major figures in the jazz world. But as the category names for all four of the band’s Grammy® awards would indicate (Best R&B Performance in 2014, Best Contemporary Instrumental Album in 2016, 2017, and 2021), Snarky Puppy isn’t exactly a jazz band. It’s not a fusion band, and it’s definitely not a jam band. It’s probably best to take Nate Chinen of the New York Times’ advice, as stated in an online discussion about the group, to “take them for what they are, rather than judge them for what they’re not.”
Snarky Puppy is a collective of sorts with as many as 20 members in regular rotation. At its core, the band represents the convergence of both black and white American music culture with various accents from around the world. Japan, Argentina, Canada and the United Kingdom, all have representation in the group’s membership. But more than the cultural diversity of the individual players, the defining characteristic of Snarky Puppy’s music is the joy of performing together in the perpetual push to grow creatively.
September 30th 2022 Snarky Puppy sees the release of their eagerly anticipated 14th album - Empire Central. It’s sound is big and bold, chill and laid back, rooted in its native culture while reaching outward, forward bound. With 16 new compositions, the group looks fondly at where it’s come from, confident in the polished power from which its members continue to build the unique Snarky Puppy sound.
The sound now rises like a skyscraper from a 21st century orchestra comprising three guitarists, four keyboardists, two brass, two reeds, a violinist, multiple percussionists and drummers and the accomplished, yet modest Michael League keeping it all together with his bass.
“Our soundscape has expanded dramatically over the years” says League. “When the band started, we were jazzier, brainy and music oriented. Moving into the Dallas scene we became groovier, more emotional, deeper in a sense. We focused more on communicating a clear message, understandable to a listener without dumbing things down”.
“Snarky Puppy has always been a band that prioritizes the sound of music” says League. “On this record the songs ended up being a lot more direct and funkier than those on our previous records. I think it reflects the many moods of the city’s scene”. “Our rule is that it can’t sound like it sounded before” he continues, “the music has to feel like it’s moving somewhere”
And moving somewhere it most definitely is. Empire Central shouts from the rooftops how far Snarky Puppy have come since ten friends got together at the University of North Texas in 2004. It also raises the question – where will Snarky Puppy go next? For Snarky Puppy fans, the answer to this question is a very exciting prospect.